Actually it is Rocket Science (2026)

I am an Assistant Editor on the post-production team at Teton Gravity Research, I play an integral role in bringing TGR’s latest feature film from raw footage to final delivery. Working closely with editors and producers, I manage and organize extensive production media, prepare footage for editorial, build stringouts and selects, maintain timelines, implement revisions, and coordinate deliverables across sound, color, graphics, and final finishing.

Feature documentary post-production is a highly collaborative and demanding process, requiring long hours, attention to detail, adaptability, and a commitment to seeing the film through to completion. Being part of TGR’s post-production team has given me the opportunity to contribute significantly to a feature film while working within a fast-paced, professional documentary workflow.

Wasatch 100 (2026)

I worked with a local Utah Ultramarathon athlete to create a documentary about the Wasatch 100 race. I served as Producer and Assistant Director, developing the story of an ultrarunner’s attempt to return to the race and redeem a previous 71-mile dropout. I coordinated subjects, crew, production logistics, interviews, and race-day coverage while helping take the project from concept into production. This project led me to connect with local athletes to paint a full picture of the epicness that is the Wasatch 100

When I accepted my position with Teton Gravity Research and relocated to Jackson, I successfully transitioned the project to a larger Salt Lake City production company, providing the story development, contacts, and production groundwork needed to continue the film.

Pitzer College Admissions 2025

As an editor and cinematographer, I’ve worked across a range of projects, handling everything from shooting to post-production. One of my favorite projects was a documentary-style short for Pitzer College in California, where I helped craft an authentic narrative that captured the culture and values of the campus. The piece was designed to support admissions by giving prospective students an honest, story-driven look at life at Pitzer, blending strong visuals with thoughtful pacing and character-focused storytelling.

This project taught me alot about responsibility across both production and post. I traveled with the team to Los Angeles and managed all camera equipment, shooting on a Blackmagic camera and ensuring proper handling and security throughout the production. Working with a minimal crew, I was responsible for setting up and operating lighting and sound, as well as handling daily media management—backing up, verifying, and organizing footage and audio. In post-production, I edited more than 53 hours of material into an eight-minute documentary, crafting structure and pacing in both Adobe Premiere Pro and DaVinci Resolve, and guiding the project through multiple rounds of client-driven revisions.

Eastern Arizona (2025)

As part of a multi-video campaign for Eastern Arizona College, I traveled to Arizona with the production team to create a series of promotional videos designed to showcase the school’s academic programs and connect with prospective students. The campaign focused on highlighting the opportunities, experiences, and community available at the college through engaging, visually driven storytelling.

Working on location, I assisted throughout multiple stages of the production process, contributing to concept development, filming, and post-production. Traveling for the project gave me the opportunity to work in a new environment and collaborate closely with the production team while helping bring each video from its initial concept through final delivery. I was involved in both the creative and technical sides of the project, gaining hands-on experience in production workflows and editing content designed specifically for an educational and student-focused audience.

This project strengthened my experience working as part of a small production team and reinforced my ability to adapt to new locations and production environments. It also gave me valuable experience balancing responsibilities across concept development, shooting, and post-production while contributing to a larger campaign with multiple deliverables.

Happy Birthday Bitch (2024)

In college, I wrote and directed my first short film, Happy Birthday Bitch. Over the nine-month process—from pre-production through festival submissions—I gained a deep understanding of the filmmaking pipeline and what it takes to bring a story from the page to the screen. Seeing my writing come to life on the big screen for the first time was transformative. The project taught me how to collaborate with a team, delegate effectively to stay on schedule, and work closely with actors to shape authentic performances. I’m incredibly grateful to the dedicated team who supported this film—without them, it wouldn’t have been possible.

Happy BIrthday Bitch went on to showcase at Las Cruces Int. Filmfest in New Mexico last fall where it was selected out of thousands of student short films. It also went on to win an Best Student Film at the 2025 Sicilian Film Awards in Palermo, Italy.